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17 Oct 2026  ·  2,865 works · 698 news indexed

Artwork for Looking For Perseida

Films /

short
2026
Science Fiction

Looking For Perseida

Portrait of Ernest DesumbilaErnest Desumbila202612 min

AIPopDB score
60/100
Format
Short film
Year
2026
Views
54.8K

Synopsis

Humanity is extinct. In its place, a ruined world is ruled by evolved dolphins, and across it walks Silas, a cowboy-like robot who carries a human soul. His mission, as the film's own description puts it, is not to survive but to recover a capsule holding the consciousness of Perseida, the woman he loved.

To find her he must cross deserts, wars and the remains of a civilization that has forgotten what it meant to be human. The dolphins stand in his way as unusual villains, and the search plays out as a lone, Western-flavoured journey through a dystopian desert.

The story is built backwards from its closing scene, set in heavy rain, which the maker pictured first.

Last Updated 14 October 2026

About the Show

Looking For Perseida is a twelve-minute AI-made science-fiction short film written and directed by Ernest Desumbila, a filmmaker based in Barcelona. It was released in 2026 and Desumbila posted the full film on YouTube, where it is tagged #specialforaaiff, a nod to the Astana AI Film Festival it was made for. The upload's copyright line reads 2026 Ernest Desumbila.

The upload's credits describe a mix of AI tools and human crew. Character design was made with GPT2 and Google's Nano Banana Pro, and the video was generated with Seedance 2.5 by Desumbila, who also graded the colour. Voices were generated with ElevenLabs by sound designer Joao Teixeira. Music is credited to Desumbila, with AI-assisted composition and production in Suno; the film also features the songs "AH-RA-KA" by Detroit Dolphins and "Love Is the Last Signal" by Chrome Horses, and "Her Name Was Perseida" composed by Elias Goku Vesper. Visual effects and compositing are credited to Juan Gorospe, Guillem Maresma and Yukio Montilla.

The credits name Artificial Fried Chicken as the AI lab and Magnific as the AI creative platform. Yukio Montilla produced, Eva Laffitte was executive producer, Teixeira edited, Llorenc Peris did the final mix and Luis Suasi made the credits. The description ends with a joke: no dolphins were harmed in the making of the film.

Desumbila told Qazinform that his wife told him about the festival only ten days before the deadline. He first thought it impossible, then locked himself at home and made the film in those ten days. The festival theme, "The Future Worth Living In", gave him an image of a rainy scene as the ending, and he built the story back from it.

The first Astana AI Film Festival ran on 1 to 3 October 2026, with finalists screened on 2 and 3 October at the Chaplin cinema in MEGA Silk Way. It drew 8,067 entries from 125 countries, and 25 films reached the final programme. Looking For Perseida was one of ten films in the main competition and took third place and US$100,000, behind Nikolay Shestak's The First Honest Day (Grand Prix, US$450,000) and Abhik Banerjee's SITARA (US$200,000). The record shows the YouTube upload at 54,821 views on 6 October 2026. Desumbila said the award motivated him to keep developing projects, and that his long-term goal is a feature film, with several in progress.

The festival's organizers call it the largest AI film festival in the world, a claim Euronews attributes to co-founder Aizat Kussainov and does not verify. Its total fund was US$2 million, half prize money and half investment for AI teams in Kazakhstan, and its jury included Audrey Azoulay, the former UNESCO Director-General. Euronews says films were judged on artistic vision, storytelling and how organically AI was woven into the idea, not only on which tools were used.

Audience sentiment

What people think of Looking For Perseida

Mostly positive: viewers praise the film's visuals, music and story and ask for more; the one reservation is how abruptly it ends

Overall

94% positive

  • Positive 94%
  • Mixed 6%
  • Negative 0%

Based on 18 comments about the show on YouTube

By platform

YouTube18 comments
94% positive, 6% mixed, 0% negative
Praise

Detailed, carefully edited footage

“Great 👍 the footage has been edited with great attention to detail”
View comment on YouTube
Praise

Visuals, music and story all work

“здесь всё великолепно. и визуальный ряд и музыка и сюжет.”
View comment on YouTube
Praise

Dolphin villains and the conclusion stand out

“The conclusion is also excellent. I’ve added it to my list.”
View comment on YouTube
Mixed

Story is strong but ends too soon

“very good story and animation is very good in in the storyline is great on it animation detailed creatures and the dolphins just too bad you ended it that way is all could have gone a whole lot more chapters with this story”
View comment on YouTube

Measured 14 October 2026

Still from Looking For Perseida

Image: ytimg.com

Still from Looking For Perseida

Image: ytimg.com

Still from Looking For Perseida

Image: ytimg.com

Fun Facts

Ten days, locked indoors
Desumbila says he had only ten days before the festival deadline and shut himself at home to finish the film in that time.
Source: qazinform.com
Built backwards from the ending
The festival's theme phrase became the final scene, set in heavy rain, and he then wrote the whole story leading up to it.
Source: qazinform.com
Seedance and Nano Banana
Character designs were made with GPT2 and Google Nano Banana Pro, video was generated with Seedance 2.5, voices with ElevenLabs and songs with Suno.
Source: youtube.com

Credits

Generated with
Nano Banana Pro, Seedance 2.5

Cast & Crew

Portrait of Ernest Desumbila
Ernest Desumbiladirected by
Portrait of Ernest Desumbila
Ernest Desumbilamusic by
Portrait of Ernest Desumbila
Ernest Desumbilawritten by
Nano Banana Progenerated with
Seedance 2.5generated with

On Social Media

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