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9 Nov 2026  ·  6,605 works · 976 news indexed

Artwork for Post Truth

Films /

film
2025
Documentary
TürkiyeIn English

Post Truth

Portrait of Alkan AvcıoğluAlkan Avcıoğlu2025102 min

AIPopDB score
50/100
Format
Film
Year
2025
Views
40.4K

Synopsis

Post Truth is an essay-style documentary about how people relate to technology that increasingly acts on its own. It asks how we arrived at a world where facts seem to count for less, and what that does to our sense of truth and justice. The film is billed as "a fake film about the real world".

Rather than follow characters through a plot, it mirrors the era it describes: an overload of information and cultural dissonance that blurs the line between real and fake. Pages describe striking visuals, immersive sound and philosophical narration, and one image shown in its materials is a hall of identically dressed workers at rows of screens.

The AI origin is part of the subject. The film is self-reflexive by design and invites the viewer to question what they choose to believe when they see something, deliberately keeping typical AI errors such as distorted faces and extra fingers in view. One regenerated image the director mentions is a photograph of an oil-covered cormorant from the first Gulf War. The director has said he dedicated it to his young son.

Last Updated 2 November 2026

About the Show

Post Truth is a feature-length documentary of about 102 minutes, directed by Turkish artist Alkan Avcıoğlu and co-written with Vikki Bardot, in English. Sales are handled by Odin's Eye Entertainment of Sydney, and the Turkish distributor Başka Sinema released it in cinemas there; its trailer promoted a 11 July release. The Revelation Perth festival lists it as a 2026 Türkiye production, while a trade catalogue gives 2026 as the completion year. It is marketed as the first feature-length documentary generated entirely with AI and the first AI feature to be awarded by an international jury, claims that come largely from its sales company's own promotion.

According to the pages, Avcıoğlu shaped the film from more than 60 hours of AI-generated footage. In an interview he said the images, the narrator's voice and the music were generated with AI, and the business press says he customised the models with his own visual art and music. He told another outlet he matched different AI tools to different tasks, such as close-up faces, camera movement and distorted human forms, but declined to name them, so no model is named in the sources. He is a former film critic and acquisitions executive who turned to AI filmmaking in 2022; his works have been auctioned by Christie's and shown at Paris Photo and Art Basel Miami. He cites Godfrey Reggio and Adam Curtis as influences. The soundtrack was issued by Tamar Records on vinyl, CD and digital.

The film had its international premiere at the Warsaw Film Festival and later won the Audience Award at FrontDoc, played in the main competition at Fantasporto, and was selected for the Festival dei Popoli and the Antalya Golden Orange Film Festival. It won Best Art Feature Film at the 42nd Asolo Art Film Festival, whose jury said the work "does not merely describe post-truth; it performs it". It received two nominations (Best Editing, Best Music) from the Turkish Film Critics Association. Further screenings were announced at the Bucheon International Fantastic Film Festival and Revelation Perth. The sales company's Michael Favelle said the process should not define the work, and that what endures is the artist's vision.

Audience sentiment

What the comments say

42 comments about the show on Letterboxd and YouTube · updated 25 Oct 2026

Overall

31%

positive

Score = positive ÷ all scored comments

Sentiment split

Positive
13 comments
31%
Mixed
9 comments
21%
Negative
20 comments
48%

Divided, leaning negative: viewers praise a timely, idea-packed essay film, while the larger share find it repetitive, overlong and a struggle to sit through

Top themes

A relentless, philosophical filmView review on Letterboxd
Positive
“A relentless philosophical symphony of pure cinematic excess.”
Best essay film in decadesView review on Letterboxd
Positive
“Best essay film in decades, reviving a genre long thought dead. Remarkably innovative and timely.”
Too long, but one for Adam Curtis fansView review on Letterboxd
Mixed
“A bit too long, in my opinion. If you dig Adam Curtis’s work, then this one is for you!”
Repetitive and overlongView review on Letterboxd
Negative
“Well it's a movie but not recommended. Always repeating itself. Musics are disturbing.”
Feels like a YouTube videoView review on Letterboxd
Negative
“Could have been a YouTube video. Extremely ironic and hard to watch”
By platform

Letterboxd40 comments

Positive
30%
Mixed
23%
Negative
47%

YouTube2 comments

Positive
50%
Mixed
0%
Negative
50%
Still from Post Truth

Image: storyblok.com

Still from Post Truth

Image: ytimg.com

Still from Post Truth

Image: ytimg.com

Still from Post Truth

Image: ytimg.com

Fun Facts

Footage volume
The finished film was cut from more than 60 hours of AI-generated footage.
Source: businessdoceurope.com
Custom-trained models
The business press says the director customised the AI models with his own visual art and music; no tool is named.
Source: businessdoceurope.com
Tools unnamed
The director has said he used several AI tools for different shots (faces, camera moves, distorted bodies) and refused offers to name them.
Source: barchart.com

Credits

Cast & Crew

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